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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.

He subsequently founded the innovative techno group The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my spine and fractured about five ribs and broke my wrist."

Following catching a lung infection and developing sepsis, he was placed in an induced coma and remained in the hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is different from being in a band, the connection is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to his adopted name, together with his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an extended play.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling single of 1981, shifting 21 million copies globally. Together with hits by Gary Numan, Human League and electronic acts, it helped cleared the path for the electronic music style of the 80s.

The track was also featured on their first album, their initial LP, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Career Highlights

Fame had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which might seem like a Miss World," Ball not long ago shared with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase newfound drugs to alleviate the monotony" of press appearances and television shows, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many bands."

Amidst the party-filled existence, the duo were also drifting apart, but they succeeded to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

Following another hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on September 30, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the duo's upcoming release as a tribute to the NYC nightlife they visited while recording their initial records.

He added that his time in hospital had shaped the group's music.

"I had strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"The new songs are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only a short time before Ball passed away. It is due for release in the spring of 2026.

The writer

Sharon Nunez

A seasoned entrepreneur and leadership coach with over 15 years of experience in corporate strategy and personal development.

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